Tag Archives: hobbyist

The Heart of a Hobbyist

www.pointofutterance.com

My friend Ugyen told me the other day he borrowed someone’s Nikon D80 to try it out, and he can’t wait to take photos. I’m excited for him. In many ways I envy him the beginning of his photography journey.

A certain nostalgia hits me when I hear of someone excited with their start in photography. Thinking about this led to my questions: why is it so attractive to be a hobbist? What makes it so good to go back to basics, even after publication and all the hundreds of thousands of images of people and places? Why is the hobbist approach so important right now?

I’m tempted sometimes to scroll through the scores of gigabytes of unprocessed shots in the hard drive. Sort of like a pat in the back for having seen them, and captured them. But this I know is not photography. Photography isn’t the past; it’s the present.

The reason I want to go back to basics has more to do with my mind than my camera.

The camera should be an extension of the mind. And the mind of a hobbyist is different from the working photographer.

Part of my lifelong inquiry is about creativity—about what inspires people, how they get insired, and the sustainability of passion that stems from a sense of wonder.

I find hobbyists have a great potential for creativity.

www.pointofutterance.com

Light on fallen leaves at temple, Siem Reap.

Hobbyists are fearless.

Humans learn to fear, and it’s a product of our own creation. We fear not “doing it right” and of others’ reactions to our decisions. As a working photographer I’ve faced clients whose creative ideas differed from mine; I’ve also faced photography contest judges who slammed creative decisions because they did not fulfill technical interpretations.

But the hobbyist isn’t making images to please a client or judge. He is free to use whatever skills he has to make something that only he can see. This leads to a lot of freedom.

www.pointofutterance.com

Dappled light on ruins, Angkor Wat, Siem Reap.

Expectations can kill creativity.

The nature of a hobby is that the expectations are internal. The urge to make something beautiful or fresh out of the daily ordinary can be a professional urge, yes, but in the hobbyist it is unfettered by expectations from someone else.

Experimentation is part of the hobbyist’s freedom.

The freedom to try something just for the heck of it is in the power of a hobbyist. She can make a thousand images just because of something she wondered, or is trying to figure out. This freedom to follow the lines of a “what if…” gives the hobbyist the perfect platform to innovate and experiment.

www.pointofutterance.com

Sunrise at Angkor Wat, Siem Reap.

Passion fuels creativity.

The best part about being a hobbyist is the absence of creativity killers and large doses of passion. Ultimately, this is the ‘high’ a photographer gets from his or her hobby. Passion carries the craft through the difficult learning that we must engage in to become technically and artistically mature in the art.

I wish Ugyen, and others who are starting out on their photography journey, a long and happy love affair with light.

It’s a wish I would gladly receive, too.

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It’s Fun to be an Amateur

Talking to my friend Leah gave me this, one of my faves from 2007. Copyright Aloha Lavina.

The other day I heard someone say about a friend, “Oh, he’s an amateur,” with a little pout accompanying the statement. The term sounded belittling.

But the origins of the word amateur suggest that the term means someone else entirely. From the French for “lover of,” and the Italian “lover,” the original denotation of amateur gives us the picture of someone who so loves the idea of something that he or she pursues it, enamored, obsessed, breathlessly in love.

Sometimes, it’s more fun to be an amateur. In photography, it’s the distinction between making money for taking photographs or doing it for free. For some reason, this is the most commonly understood distinction. But whether or not you are paid to take photographs, there are some qualities of an amateur that it would be to our advantage never to abandon.

Amateurs are in love with their craft.

You know that old saying that when something finally becomes a “job,” it becomes  tedious? An amateur never feels bored. He will shoot every day if he could. I remember back in the day when I assisted for a well-known photographer, when he and I were both working at the same place. We would clock in every day at work and whenever we got the chance to get out of the workplace, we would just shoot. Weekends were special because they were times when there was nothing else except photoshoots to do. Long holidays were even better; they meant days and days of getting up early, shooting all day until the sun went down, and then lingering over dinner talking about images, about camera settings, workflow, anything and everything to do with photography.

Amateurs hold their photography like something precious and turn it this way and that way, admiring the wonderful qualities of it, and making themselves happy as a result.

Yearning for a shoot session sometimes gets to be too much. Like missing a lover, the amateur misses their craft.

Just playing with model Shu for her portfolio. Copyright Aloha Lavina.

Obsession develops a love affair in the initial stages. There is always a honeymoon stage, when the lover cannot get enough of their beloved. Because there is so much to learn in photography, it’s like what someone said about falling in love with the world: “If we listened to a work of Mozart every day, we would be happy for a hundred years!” An amateur pays attention to details. No detail is small enough to notice. This sort of attentiveness fuels more energy: when you pay attention, you learn more and get better. So the improved results will inspire the amateur to get better and better.

Amateurs are not motivated financially. Being a freelancer and having income coming in from writing, teaching in addition to photography makes it easy for me to have the attitude of an amateur. The best part is not having to take jobs that I don’t like, for instance, weddings, unless it’s in Goa, India or Kathmandu, Nepal, or Langkawi, Malaysia and I can combine it with some travel. I can still do personal projects, ones that do not have any remuneration but are interesting and that stretch me creatively or technically. I think it’s really important to have time for these projects because these are where you truly experiment and learn new things.

I learned a lot about shutter speed doing this shoot with Jack for his portfolio. Copyright Aloha Lavina.

Learning new things is exciting to an amateur. With all the workshops that so many people are offering now, it’s hard not to come across one that might teach you something new, that could take your photography into a whole other level. It’s very important not to think that you know it all and that no one else can teach you something new. I constantly learn from everyone I meet–whether on Twitter or someone’s blog, or reading a book, magazine, or watching a Youtube video. One of the best qualities of the amateur in my opinion is the lack of formal training. Sure, it might take you longer to reach technical proficiency on your own. But you also have an enjoyable lifelong challenge of learning so much, and if you paced yourself right, it could become one of the more pleasurable things about your status as an amateur.

Talking to my friend Leah gave me this, one of my faves from 2007. Copyright Aloha Lavina.

One of the best things about amateurs is that you are not in a box, the box of your formal training. Instead of this being a disadvantage (you don’t have a paper that says you are a “certified photographer”), it could be a great advantage. You’re open-minded to what is out there, and you will experiment. Experimentation fuels creativity and inspiration, and in the best-case scenario, you might discover something that makes your work even more dynamic.

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10 Online Resources for Photography Enthusiasts

A photo shot in Manual mode. (C) Aloha Lavina.

So you got yourself a brand spanking new DSLR. What do you do now?

Many photo enthusiasts who get their first upgrade from the “point and shoot” into the world of digital single lens reflex cameras, or DSLRs, often opt to shoot in Program mode, the mode that allows the sophisticated camera to make all the decisions and produce what it computes to be the best image given the circumstances.

But it doesn’t have to be that way. Why relegate all the fun decisions you could make to your camera? Isn’t the camera a tool? You might ask, where do I start? How do I start making great photos with this nifty new camera?

There are so many resources you could use to speed up your growth as a photo enthusiast, and a great number of these resources are free. Here are some things to do with free online resources that will help you get your photography where you want it to be, and say goodbye to the Program mode!

1. Know your equipment, and maximize use.

Your DSLR kit comes with a manual. Read it, and try out the different functions. If you want summaries from other photographers about what your camera can do, Phot.net has excellent information about a wide range of camera equipment. People who belong to this forum are usually very helpful. If you’ve got a specific question, participate in the online forum. Meet new photography friends, and gain a whole world of information at your fingertips.

2. Learn about the exposure triangle.

Exposure is the result of how much light reflects back from the subject into your lens, and is recorded as an image by your camera. How to properly expose

A photo shot in Manual mode. (C) Aloha Lavina.

an image is crucial to learn because it also gives you the dynamic range of your photograph—this is the gradation of light from the whitest part of the photo (the most reflected light) to the darkest part of the photo (the least light reflected), and everything in between. The more detail you have in your photo, the better your exposure. You can learn about how to make good exposures at this excellent discussion at Digital Photography School, one of my favorite resources online. They even have a newsletter you can subscribe to for free, that you get in your mailbox weekly.

3. Learn composition, and make art.

Composition is what makes a photograph attractive or unique. Centuries of art have taught us what the human brain is attracted to in a visual sense, so there are some simple “rules” you can learn to get you started in making some compelling images.

Good composition can be learned, so why not learn right away how to make your images distinct and stylish? A great place to read a lot about composition is photoinf.com.

4. Learn about white balance and control color.

White balance is the way the camera records color, depending on the temperature of the light that it captures. If the light is “cool” it has a bluish tinge, and the camera records that. If the light is “warmer” it has more yellow in it, so the people might come out with a yellowish cast over them. Digital Photography School has a concise primer on white balance, and some other suggested information below the article. It pays to learn about white balance, to control the color in your shots, and to get “true” skin tones for the people in your images.

Most cameras have white balance pre-settings, and your manual can tell you which icon means which white balance. Learn about white balance, and you avoid photos that have blue people or yellow people in them. Unless you are photographing Smurfs or Mr. Smileys, that is.

5. Know your camera’s “modes.”

DSLRs come with modes that are ways you can tell the camera the circumstances you are shooting in, and help the camera’s computer make decisions for the best shot you could possibly get. Some modes include portrait, nightshot, or sport. In portrait mode, a camera tries to isolate the subject by blurring the background, giving the portrait a soft, creamy look. Nightshot mode tells the camera to open the lens opening (called the “aperture”) and let more light in to record the dark scene. Sport speeds up the shutter, so that motion can be frozen and not blurry. There are other modes you can use on most DSLRs, and there is a great resource with photos at Photonhead that can help you get acquainted with your camera’s modes.

6. Get started on some photo projects.

A recent photo project I had was to try to light and photograph "stuff." I learned a lot about lighting in this project.

Photo projects can get your creativity flowing, and there are a lot of sites out there that help you to focus your creativity and learn as you complete your project. Everyone knows Flickr, of course, where you can join a group and shoot specific subjects, have great discussions with like minded hobbyists, and be inspired by the thousands of photos uploaded every minute.

A great resource is this article by a Flickr member titled “7 Photo Projects to Jumpstart Your Creativity.”

7. Photoshop is your friend.

There are “purists” who say that using Photoshop or other processing software on your digital images ruin the integrity of the photographs and so makes it no longer “photography.” These folks have their point of view, and we should respect that.

But the 21st Century is the digital age, and eschewing Photoshop when we are capturing digital photographs seems to be limiting when Photoshop can help us create images that are unique and beautiful. How much post-processing you do on your images is entirely up to you. You can go crazy or you can do what great makeup artists do—make a lot of makeup look like none at all. It’s up to you.

If you’re like a lot of new photographers, who want to use software to enhance their digital photographs, there are some basic tutorials to start the fun at Mashable.

8. Flash is also your friend.

Most semi-pro and entry level camera bodies include a pop-up flash. Pressing a button on the side of the pop up unit releases it and gives you instant source of light in very dark or very glary conditions.

It can be confusing to learn how to decide when to use flash, but the rule of thumb is that you “fill” the areas that are dark in your photo with the flash’s burst of light. The amount of light your flash gives you along with the exposure you want tell you how much flash you need. You can learn the basics of using flash at Brighthub.

9. Take a course.

There are some excellent online places where you can pay for guidance from a professional. Betterphoto.com is one of the sites I have tried, and the course I took from there really helped me get to know exposure. Betterphoto also has courses on many other topics, including an interesting one on composition and creativity.

MatadorU also has an excellent course I would recommend. MatadorU’s photography course is geared toward becoming a travel photographer, but it addresses many of the topics I have mentioned here, in greater detail. The best things about MatadorU is that you get wonderful feedback from your tutor, and you get access to a lifetime of tips on a wide range of topic from equipment to using social media to gain an audience for your work.

Online, there are a few sites that offer basic photography courses. A good place to start is the appropriately named Photographycourses.net.

I travel with my photo club and it is a LOT of fun.

10. Join a camera club.

It’s fun to learn with other people! We learn this in school, and we never seem to outgrow it. Learning with others helps you to maximize your learning and enjoyment, and you gain new friendships this way. There is probably a photo club in your city. Talk to some other enthusiasts, join a forum that is run by a photographer in your city or nearby, and arrange to join some of the photo walks or excursions arranged by the photo club.

Getting started with your new DSLR is not as challenging as you think. These links are just a few resources of the plethora of sites out there. Let’s help to grow our photography community and post more resources in our comments!

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Welcome back and thanks for reading Imagine That! To keep updated with new posts, subscribe to Imagine That! by clicking on the RSS Feed button on the upper right of the Homepage.

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