Tag Archives: Burmese dance
This will be the first in a series of posts about how changing the ways we see as photographers can change the stories in our photos.
The approach on each photo assignment is different. Even travel photo assignments differ even though they are on the same general topic. Shooting dance on four separate occasions, I learned about how I had to change the way I looked at the subject, so I could tell the story of each performance from a different perspective.
The eyes of a tourist
When I shot this set in Burma, the assignment was to show Burmese dance as a traveler would see it: in a staged performance, from a distance. I had little background in the dance forms and the stories behind each one. That limited knowledge produced shots from a spectatorâ€™s point of view. Luckily I had brought along a long lens, suitable for isolating the dancers and capturing uncluttered portraits showing off the costume and motion against a simple background.
The eyes of a storyteller
I love Hanuman, the character in the Ramayana epic. When I shot this assignment at the Chalermkrung National Theatre in Bangkok, it was a behind the scenes story of the dancers who made Hanuman come alive every night at a national theatre in Thailand. I had to shoot the story as I saw it unfold, embracing its unpredictability, paying attention to detail. So I did a little abstraction and a little action. Framing the story with images of detail helped to give the necessary background for the actual dance shots, and the action shots gave me the necessary storyline. Hanuman is a singularly amazing character, but heâ€™s actually several guys in a specially made papier mache mask, whose acrobatics on stage are remarkably demanding.
The eyes of surprise
No one knew that rain was going to come from the umbrella. The dancer at Patravadi Theatre in Bangkok in a free-form modern dance gave us a few surprises. First, he wore an expressionless mask which contrasted with the bright costume and the even brighter umbrella. His movements were quick and energetic. And when he sprung the confetti on us, streaming from the umbrella, it was the biggest surprise of all. Less than a minute of white confetti catching the dim light in the dinner theatre, plus not being able to move because there was simply no time, gave me a limited window for a shot. I put the camera on burst mode and tried to anticipate the next twirl.
The challenges for photo assignments make for fantastic learning. Whether your goal is to get a travel story or capture how an event makes you feel, it helps to look at each assignment with different eyes. Changing the way you see can change the story.