It’s Fun to be an Amateur
The other day I heard someone say about a friend, “Oh, he’s an amateur,” with a little pout accompanying the statement. The term sounded belittling.
But the origins of the word amateur suggest that the term means someone else entirely. From the French for “lover of,” and the Italian “lover,” the original denotation of amateur gives us the picture of someone who so loves the idea of something that he or she pursues it, enamored, obsessed, breathlessly in love.
Sometimes, itâ€™s more fun to be an amateur. In photography, it’s the distinction between making money for taking photographs or doing it for free. For some reason, this is the most commonly understood distinction. But whether or not you are paid to take photographs, there are some qualities of an amateur that it would be to our advantage never to abandon.
Amateurs are in love with their craft.
You know that old saying that when something finally becomes a “job,” it becomesÂ tedious? An amateur never feels bored. He will shoot every day if he could. I remember back in the day when I assisted for a well-known photographer,Â when he and I were both working at the same place. We would clock in every day at work and whenever we got the chance to get out of the workplace, we would just shoot. Weekends were special because they were times when there was nothing else except photoshoots to do. Long holidays were even better; they meant days and days of getting up early, shooting all day until the sun went down, and then lingering over dinner talking about images, about camera settings, workflow, anything and everything to do with photography.
Amateurs hold their photography like something precious and turn it this way and that way, admiring the wonderful qualities of it, and making themselves happy as a result.
Yearning for a shoot session sometimes gets to be too much. Like missing a lover, the amateur misses their craft.
Obsession develops a love affair in the initial stages. There is always a honeymoon stage, when the lover cannot get enough of their beloved. Because there is so much to learn in photography, it’s like what someone said about falling in love with the world: “If we listened to a work of Mozart every day, we would be happy for a hundred years!” An amateur pays attention to details. No detail is small enough to notice. This sort of attentiveness fuels more energy: when you pay attention, you learn more and get better. So the improved results will inspire the amateur to get better and better.
Amateurs are not motivated financially. Being a freelancer and having income coming in from writing, teaching in addition to photography makes it easy for me to have the attitude of an amateur. The best part is not having to take jobs that I donâ€™t like, for instance, weddings, unless itâ€™s in Goa, India or Kathmandu, Nepal, or Langkawi, Malaysia and I can combine it with some travel. I can still do personal projects, ones that do not have any remuneration but are interesting and that stretch me creatively or technically. I think it’s really important to have time for these projects because these are where you truly experiment and learn new things.
Learning new things is exciting to an amateur. With all the workshops that so many people are offering now, it’s hard not to come across one that might teach you something new, that could take your photography into a whole other level. It’s very important not to think that you know it all and that no one else can teach you something new. I constantly learn from everyone I meet–whether on Twitter or someone’s blog, or reading a book, magazine, or watching a Youtube video. One of the best qualities of the amateur in my opinion is the lack of formal training. Sure, it might take you longer to reach technical proficiency on your own. But you also have an enjoyable lifelong challenge of learning so much, and if you paced yourself right, it could become one of the more pleasurable things about your status as an amateur.
One of the best things about amateurs is that you are not in a box, the box of your formal training. Instead of this being a disadvantage (you don’t have a paper that says you are a “certified photographer”), it could be a great advantage. Youâ€™re open-minded to what is out there, and you will experiment. Experimentation fuels creativity and inspiration, and in the best-case scenario, you might discover something that makes your work even more dynamic.
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